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OK, before we turn this into a MasterClass of early liturgical music, let’s get back to where we were with punk. So I started playing on pots and pans and piles of books and found I had an aptitude for it.
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And when I was fishing around for something that I could do, I saw Dave Brubeck playing on TV and I saw his drummer, who was amazing, and I thought That’s what I want to do. He always had this dream that he could be something outside of his day job. I got into music quite young-my dad worked in a factory, but he dabbled at playing instruments: He played classical guitar, and he was in a harmonica band. ROGER: When I heard “Anarchy in the UK” by the Sex Pistols, it opened up an entire other world of possibility. And punk rock was like You don’t need to play! You just need to be the right age.
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JOHN: Punk was the key, though, because none of us really knew how to play. We wanted to get out of Birmingham-we wanted to see New York and travel the world we were curious. When I saw Bowie on Top of the Pops for the first time, it was a revelation: Coming from the grey and the factories and the unemployment of Birmingham and the IRA and terrorism-that was the backdrop of England in the 70s-you had to dream outside of that. NICK: For me and for many musicians of our generation, it was David Bowie, without a doubt. If you’re familiar with the band-I mean, at this point, could one not be?-the new record makes sense as a Duran Duran album (it’s their 15th), but it also makes sense as a 2021 album without having to try to hard.Įarlier this summer, I sat down in a private room at Manhattan’s Neue House with the four pop principals of the band-lead singer Simon Le Bon (in jeans, an agitprop t-shirt, and Chuck Taylors), keyboardist Nick Rhodes (in an impeccably appointed powder-blue peaked-lapel summer suit), bassist John Taylor (wearing the sort of wide-lapeled screaming-green jacket that would stop traffic on the streets outside), and drummer Roger Taylor (the only normcore-ish one of the bunch, in white tee, camo jacket, jeans, and black sneakers)-for a wide-ranging chat about everything from their art-school origins to their uber-80s screaming stardom to their almost shocking (for pop stars) ability to actually enjoy one another’s company. Still, the position was good enough to land the band another appearance on Top of the Pops they responded with yet another energetic performance.Duran Duran’s newest album, Future Past-just out-is that rare thing: a new album from a legendary band that manages to thread an impossible needle. "Careless Memories" also ended up spending just four weeks on the U.K. Not everyone was thrilled with "Careless Memories." The magazine Smash Hits reviewed the single and positively observed that "the persuasive force of the 10-ton drum sound is not lost on this lot," but then turned to pointed critique: "Buried beneath layers of silk finish is a construction so staggeringly basic you wonder if their punk roots don't extend back to the Dry-Ice Age." " Look out, look out, look out!" he exclaimed at the song's end, while the music devolved around him.
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Singer Simon Le Bon, meanwhile, turned in a yearning, urgent vocal performance full of grit and desperation - a perfect tone to strike while framing up lyrics that hinted at the painful aftermath of a relationship. To this the band piled on forceful sounds: Andy Taylor's slash-and-burn electric guitars, Nick Rhodes' atmospheric synths, quick and fiery bass from John Taylor and drums by Roger Taylor.